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Canon
cam.start.canon › en › C004 › manual › html › UG-03_Shooting-2_0080.html
Canon : Product Manual : EOS R6 : Canon Log Settings
YCbCr 4:2:2 (10-bit) color sampling and the BT.709/BT.2020 color space are used in Canon Log recording. ... Enables Canon Log 3 recording. Records movies with a higher dynamic range than when set to [On ()].
Discussions

Canon R6 - Some noob questions about shooting log footage
I am FAR from an expert on this sort of thing, however I have a bit of experience in shooting video in Clog 3 on an R5. I learned a ton from this video from Tyler Stalman , where the biggest thing was learning to do the color grading before the LUT as it affords a far greater dynamic range (6:20 specifically). I do everything in Clog 3, ISO800, and then use ND filters to get the correct shutter speed. Video editing is definitely fun, but also far more time consuming than photo editing. More on reddit.com
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4
5
September 11, 2023
Looking for Color Grading Advice (C-Log3): canon r6 mark ii
I’ve used an R6ii since it came out for video (recently got an FX6 though. My recommendation would be to shoot in cinema gamut, used the Phantom LUT (their neutral one) and then add a look LUT that mimics the Fuji eterna (at a low percentage) to get those red tones in the right place. Also one note I’ve noticed is even though iso800 is the Base ISO, I prefer to shoot in iso400 at a loss in dynamic range because it makes the shadows looks much more pleasing. More on reddit.com
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17
3
May 8, 2025
Can't find Canon Log mode on my Canon EOS R6? Every tutorial online shows it on the 3rd page of the shooting menu but it is not there. Also, my 3rd page shows lens aberration correction while the screens in other tutorials don't. Where can I find C log mode? Thank you.

Set the camera to video mode, if it's in photo modes you won't see all the menu's

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6
1
May 7, 2021
Canons C-log Setting
In case you don't know, when you turn on c-log on a Canon R3, R5, R6, R7, R8, R5C, C70, the camera automatically changes the codec settings of the foo... More on vegascreativesoftware.info
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March 19, 2024
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Canon
cam.start.canon › en › C012 › manual › html › UG-04_Shooting-2_0090.html
Canon : Product Manual : EOS R6 Mark II : Canon Log Settings
Set the options as desired. View Assist. () ... Enables 10-bit recording of Canon Log movies to the card. Movies can also be recorded to an external device that supports 10-bit recording. ... YCbCr 4:2:2 (10-bit) color sampling and the BT.709/BT.2020/Cinema Gamut color space are used in Canon Log recording.
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Reddit
reddit.com › r/canon › canon r6 - some noob questions about shooting log footage
r/canon on Reddit: Canon R6 - Some noob questions about shooting log footage
September 11, 2023 -

Hi all,

I am getting more into the video side of things (mainly a portrait photog) and am having a little bit of an uphill battle learning to work with log.

I have a first gen R6 which can shoot in Clog (709, 2020) and Clog 3 (709, 2020 and Cinema Gamut).

I am finally feeling comfortable on the grading side of things (using DaVinci Resolve Studio 18.5) but am a little confused about exposing properly, esp at night time in low light settings.

Here is what I have gathered to far:

Native ISO for Clog is 400

Native ISO for Clog3 is 800

Coming from the photo side of things I thought that I can bump up the ISO to get the right exposure but this has lead to a lot of noise in the footage.

I am now understanding that for video we must stick to the base ISO…is this correct?

Some videos I have watched mentioning going in multiples of 800…so 800. 1600. 3200.

I think we’re supposed to overexpose log by 1.5 stops but if that isn’t possible due to certain lighting conditions, how can I get the best (min noise) end product?

I have tried denoising in DR and it takes away from the sharpness quite a bit.

Topaz AI Video denoiser does a decent job but takes some of the saturation away from the reds.

However, I want to make sure I can getting everything right in camera so I do minimal denoising later.

Currently here is my workflow

Import into DR > add to timeline > color space transform onto node to move from clog3 cinema gamut to rec 709 and cineon for the first phase > second node, add Kodak LUT from the “film looks” luts.

Top answer
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I am FAR from an expert on this sort of thing, however I have a bit of experience in shooting video in Clog 3 on an R5. I learned a ton from this video from Tyler Stalman , where the biggest thing was learning to do the color grading before the LUT as it affords a far greater dynamic range (6:20 specifically). I do everything in Clog 3, ISO800, and then use ND filters to get the correct shutter speed. Video editing is definitely fun, but also far more time consuming than photo editing.
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I think we’re supposed to overexpose log by 1.5 stops ETTR is often messed up. Cullen Kelly has a good video on it here https://youtu.be/aB8ku9ET-dw?si=cN6BMHyDiC6ICkJG If you are going from iso 1000 to iso 2000 to ETTR, you are doing it won't. I am now understanding that for video we must stick to the base ISO…is this correct? No. Will a ISO 800 image have less noise than one shot with half the light at iso 1600, yes. But if you don't have a means to double the light on your subject (or faster lens) then ISO 1600 is going to be your only option. Import into DR > add to timeline > color space transform onto node to move from clog3 cinema gamut to rec 709 and cineon for the first phase > second node, add Kodak LUT from the “film looks” luts. I will ask where you are making your grade at. If it is in the rec709 nodes, this could be causing you problems. I would recommend using the automatic color management added in V17 to grade in DWG. You can grade on the clog side of your first CST. But having a common working space for all cameras is desirable. Cullen has also converted the Kodak and Fuji LUTs to DWG to eliminate the cineon faff I have the R5 (never shot an R6), many people complain about it being noisy, but I haven't seen it. This video is at obviously quite dark and even has slow motion. I think it worked well https://youtu.be/OhA6X-o8KXE?si=bVS94nFq_HGU-Ba0 Iso 12800 is going to be noisy, no doubt. But if you can't get a good image at 1600-3200, I think you have a workflow problem.
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Dominey Photography
blog.dominey.photography › 2022 › 02 › 13 › how-to-expose-canon-log-on-the-eos-r5-and-r6
How to Expose Canon Log on the EOS R5 and R6 - Todd Dominey
August 4, 2022 - Every camera has a different middle gray value when shooting in Log, but according to Canon, 35% IRE is ideal on the R5 and R6. So for general purpose video, I set Zebra 1 level to 35% +/- 5%. This produces a left-slanting zebra pattern in the ...
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YouTube
youtube.com › watch
The Best Cinematic Settings for C Log 3 - Canon R6 - YouTube
In this video I tell you how to set your Canon R6 to shoot in C Log 3...the best cinematic settings for C Log 3.Get one month of free music to use in your vi...
Published   June 11, 2022
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YouTube
youtube.com › watch
How to Set Up Canon C-Log on EOS R6 Mark II + Cinematic Tips! - YouTube
Unlock the full potential of your Canon EOS R6 Mark II with this step-by-step guide to setting up Canon C-Log! Whether you're a beginner or looking to take y...
Published   December 12, 2024
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Reddit
reddit.com › r/videography › looking for color grading advice (c-log3): canon r6 mark ii
r/videography on Reddit: Looking for Color Grading Advice (C-Log3): canon r6 mark ii
May 8, 2025 -

I shoot with a Canon R6 Mark II and record in C-Log3. I’ve tried Canon’s official LUTs and experimented with different color spaces like Rec.709, Rec.2020, and Cinema Gamut.

Most of my footage is of animals such as; deer, bears, dogs, ducks, geese, bobcats, etc. all shot in 4K. These videos are just for fun, and I like to share some of them on Instagram Reels and TikTok.

That said, I’ve been struggling to get a good color grade. The few clips I’ve managed to shoot and grade just feel off, colors look strange or flat, and I can’t seem to get that vibrant, natural look. For those working with Canon C-Log3:

  • Do you rely on Canon’s LUTs or use custom ones?

  • Do you manually convert to Rec.709 or use a LUT as a base?

  • What color space and gamma settings do you find give the best results?

  • Any tips for making colors pop in a realistic way?

Would really appreciate any advice or shared experiences. Thanks in advance!

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Canon
cam.start.canon › en › C022 › manual › html › UG-04_Shooting_0630.html
Canon : Product Manual : EOS R6 Mark III : HDR/C. Log View Assist
Select [: HDR/C.Log View Assist.] (, ). Select screen or viewfinder display. ... Use View Assist display on the screen [] and viewfinder []. ... Use view-assisted display on non-HDR display devices connected via HDMI. Select an option. ... When the camera is set to [HDR PQ], converted images are displayed that resemble how the images would look on an HDR display device.
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Canon
support.usa.canon.com › kb › index
Canon Knowledge Base - EOS R6: Canon Log Settings
November 19, 2020 - Canon Log gamma curve takes full advantage of image sensor characteristics to ensure wide dynamic range for movies that will be processed in postproduction. With minimal loss of detail in shadows and highlights, movies retain more visual information across the dynamic range · To work with ...
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YouTube
youtube.com › watch
Canon R6 - C Log 3 Settings: Color Space - YouTube
In this video I show you 3 different options to shoot C-Log 3 on the Canon R6, BT 709, BT 2020 and Cinema Gamut, each one has a different color space. In th...
Published   March 21, 2022
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Fstoppers
fstoppers.com › home › education › videography
How to Properly Expose Canon Log on the R5 and R6 | Fstoppers
February 14, 2022 - C-Log is, for all intents and purposes, a Canon color profile that is popular within filmmaking for its high dynamic range and preservation of detail through that. When filming scenes that are high contrast, that is, there is a large number of stops of dynamic range between the darkest and the lightest areas of the frame, C-Log can be invaluable. In this tutorial, Dominey walks you through the basics of setting up your Canon camera to shoot with C-Log or C-Log 3 and then how to properly expose for that profile, despite the confusing and sometimes misleading previews.
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Digital Photography Review
dpreview.com › news › canon brings c-log 3, dual-card recording to r6 and 1d x mark iii cameras via firmware updates
Canon brings C-Log 3, dual-card recording to R6 and 1D X Mark III cameras via firmware updates: Digital Photography Review
July 8, 2021 - Now reading: Canon brings C-Log 3, dual-card recording to R6 and 1D X Mark III cameras via firmware updates 108 comments ... Canon has released new firmware updates for its EOS-1D X Mark III DSLR and EOS R6 mirrorless camera systems. The substantial updates bring, amongst other bug fixes and improvements, the ability to record video in Canon Log 3 and record to two memory cards simultaneously. First up is firmware update 1.4.0 for the Canon EOS R6. This updates adds Canon Log 3 as a new setting in the camera’s Canon Log settings, as well as the ability to record on both ‘card 1’ and ‘card 2’ when shooting video.
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Canon Community
community.usa.canon.com › t5 › EOS-DSLR-Mirrorless-Cameras › Clog-settings-on-Canon-R6 › m-p › 415503
Clog settings on Canon R6 - Canon Community
April 20, 2023 - I cannot find Clog setting on my old Canon R6 camera. I can easily find it on my R6 Mark II. I've also updated my old R6 to the latest firmware, which did not help either. Are there some steps I'm missing in setting up my camera in Clog? On the reviews online, I can see that people find the ...
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Vegas Creative Software
vegascreativesoftware.info › us › forum › canons-c-log-setting--144963
Canons C-log Setting
March 19, 2024 - Codec is independently selected in the Recording/Media menu where choices are Raw ST, Raw LT, XF-AVC YCC422 10-bit, MP4 Hevc 422, MP4 Hevc 420, and MP4 h.264 420 8-bit. Same deal on my xf605 except no raw. I get best results with mp4 hevc 420 together with either clog2 or bt709 wdr.
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Pozo Production
pozoproduction.com › blog › demystifying-canon-log-3-capture-stunning-footage-with-your-canon-camera
Demystifying Canon Log 3: Capture Stunning Footage with Your Canon Camera — Pozo Production
December 15, 2025 - C-Log 3 Activation: Navigate to the red menu (camera icon) and enable C-Log 3. On the Canon R6 mark ii, it’s on page 5. Live View: Enable for a Rec.709 preview, but remember, this can be inaccurate when exposing to the right.
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Canon Community
community.usa.canon.com › t5 › EOS-DSLR-Mirrorless-Cameras › Canon-R6-mk-ii-to-get-C-log › td-p › 414985
Canon R6 mk ii to get C log? - Canon Community
April 17, 2023 - I see that the new R8 can only shoot in C log 3 or HDR PQ which is so confusing since the R6 can shoot in both C log and C log 3 which has so many benefits.