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Smithsonian Institution
si.edu › spotlight › color-smithsonian
Smithsonian Color Journey | Smithsonian Institution
Color enthusiasts of all ages can download coloring pages from Smithsonian Libraries and Archives.
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Si
logo.si.edu › wp-content › uploads › 2018 › 07 › si_brandguide_08-13-18.pdf pdf
identity guidelines - Smithsonian Brand
The tertiary palette is neutral and subtle. Its purpose is to allow flexibility · when working on websites. You can use the light blue or light gray for · page divides or hover states. The darker-value gray tones can be used ... Smithsonian brand: Minion Pro and Basier Circle.
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Smithsonian Institution
si.edu › stories › story-behind-color
The Story Behind the Color | Smithsonian Institution
A design team might have 300 colors to choose from when designing a product. Peacock Vase, ca. 1901; Produced by Tiffany and Co.; mold-blown and iridized glass. (Smithsonian photo by Dave King)
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Cooper Hewitt
cooperhewitt.org › home › color
Color | Cooper Hewitt, Smithsonian Design Museum
To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. Before Pantone, there was the Wiener Farbenkabinet (Viennese Color Collection or Complete Book of Samples of all Natural, Basic, and Combined Colors).
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Smithsonian Associates
smithsonianassociates.org › ticketing › programs › color-theory-1k00uw
Color Theory - Smithsonian Associates
Through lecture, demonstration, and hands-on experimentation, students learn about the color wheel, the Munsell color chart, and the attributes of value, chroma, and hue. Participants then use these ideas in working with tonal contrast and patterning, and also begin to explore color temperature and complementary color effects and harmonies.
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Smithsonian Magazine
smithsonianmag.com › arts-culture › why-colors-you-see-art-museum-cant-be-replicated-today-180953332
Why Colors You See in an Art Museum Can’t Be Replicated Today
November 14, 2014 - The Brilliant History of Color in Art, the book I just wrote with the Museum, follows paints and dyes and pigments through time, from the manganese black used in the prehistoric cave paintings at Lascaux in France to the tiny dots of light, pixels, that create color on our computer screens.
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Smithsonian Libraries
library.si.edu › exhibition › color-in-a-new-light
Color in a New Light
How about color? Let’s follow the theme of color through the vast collections of the Smithsonian Libraries, and make a few unexpected connections and discoveries. Color in a New Light launched in January 2016 and will run for 14 months in the National Museum of Natural History in Washington, DC.
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Reddit
reddit.com › r/changemyview › cmv: there is nothing racist about the smithsonian infographic on whiteness
r/changemyview on Reddit: CMV: There is nothing racist about the Smithsonian infographic on whiteness
July 16, 2020 -

The National Museum of African American History and Culture, part of the Smithsonian, has posted the below inforgraphic on their website here.

https://preview.redd.it/cr31itzgf3b51.png?width=799&format=png&auto=webp&s=eb91b6651d37687a18d7f7f681359c181c44fee3

It has been discussed on twitter here and almost every comment is saying that it is racist or problematic in some way. I don't agree with the criticism, but perhaps I'm missing something.

Below I've paraphrased some of the criticisms and then why I believe they are all attacking a straw man.

- "This means that black people, Asians, etc who share these values are white". However the infographic doesn't say anywhere that these elements are exclusive to white culture.

- "This is racist towards black people, as it says they have the opposite values". However the infographic doesn't say anything about the values of other cultures.

- "This is racist because it says that culture comes from skin colour/ethnicity". However this is not mentioned anywhere in the infographic. It clearly says the culture comes from historical factors rather than racial ones.

- "This is critical of white people". However the infographic makes no value judgements either way, and doesn't present these cultural elements as either good or bad.

- "This suggests that certain values are complicit in white supremacy". However, the infographic doesn't make any causal link between these values and the belief in white supremacy.

- "This suggests that all white people are the same". Howver the infographic clearly limits this to American culture, so wouldn't directly apply to other white cultures.

As a final point, I'll just say that I'm not arguing that the infographic is 100% correct in its definition of white American culture. You may think that timekeeping or emphasis on the scientific method are not aspects of white American culture, and you may be right. But that isn't relevant to this CMV.

Edit: OK, I've changed my view, thanks to the combination of a few posts. What I was missing was that the context can affect the message even if the content is otherwise harmless.

I am not American, so read this from the perspective that it described one culture among thousands. Viewed through that lens, this says nothing particularly critical or racist.

However, under a different context, the message would be different. For example, suppose I was discussing the difference between white and black American culture with a friend and they sent me this infographic. I would expect that they were making negative claims about black culture, and by extension black people. I would think that friend was racist.

Given that this was presented by the National Museum of African American History and Culture, I can see why people have viewed it within a discussion of black American culture. I can now see why this is problematic.

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The graphic says that “objective, rational linear thinking” is apart of “white culture.” While you’re right. The graphic doesn’t say anything directly about other cultures. But you can infer the converse from the statement. If objective, rational linear thinking is a part of white culture, it follows that it is not apart of black culture. Why else include it with white culture if it is shared? To say that “objective, rational linear thinking” is a unique part of “white culture” is certainly racist towards all persons of color. Are we to say that blacks aren’t objective thinkers, only whites? Are we to say that blacks aren’t rational thinkers, only whites? Are we to say that blacks aren’t linear thinkers, only whites? Being objective and rational are things white people do uniquely? That’s racist.
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Typically a description of one item in a category of items of similar sort, here being one specific culture among the range of other possible cultures, the aim of the description is to identify the unique, distinctive characteristics of that item. That is, the features of that item which make it different from other items in the set. This infographic largely identifies the aspects of white culture as being hardworking, responsible, conscientious, family-oriented, and possessed of an emphasis on logical reasoning over adherence to traditions or emotions. One would be hard pressed to be more flattering - the lack of explicit commentary on these traits does not stop the traits from being intrinsically positive, and the implied appraisal to be positive as well. As a consequence of this item-in-a-set comparison, and the particular features described for "white culture," the implication is that other cultures are possessed of other traits - that other cultures promote irresponsibility, laziness, and are more irrational in their drives. The picture being produced is basically the description a klansman would (and consistently have, over time) give of white and black culture in america.
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Smithsonian Institution Archives
siarchives.si.edu › blog › true-colors
True Colors | Smithsonian Institution Archives
Contrasting black and white with color photography by Smithsonian Institution photographers.
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NPR
npr.org › 2007 › 10 › 31 › 15817064 › smithsonian-unravels-color-photography-mystery
Smithsonian Unravels Color Photography Mystery : NPR
October 31, 2007 - GREENFIELDBOYCE: And a white pigment. So, it looks like Hill did touch up his plates. But it also looks like he was a pioneer of color photography because the study shows that some colors of on the photographs weren't added.
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Brand Color Code
brandcolorcode.com › smithsonian-institution
Smithsonian Institution Brand Color Codes » BrandColorCode.com
November 15, 2024 - Get the official color codes of Smithsonian Institution brand at BrandColorCode.com
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Cooper Hewitt
cooperhewitt.org › home › saturated
Saturated | Cooper Hewitt, Smithsonian Design Museum
Featuring over 190 objects spanning antiquity to the present from the extraordinary collections of Smithsonian Libraries and Cooper Hewitt, the exhibition reveals how designers apply the theories of the world’s greatest color thinkers to bring ...
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Smithsonian Institution
si.edu › spotlight › color-smithsonian › purple
The Color Purple | Smithsonian Institution
Discover ways of understanding the science of color with Smithsonian Libraries and Archives and the story behind the colors we create with the Cooper Hewitt, Smithsonian Design Museum.
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Smithsonian Institution
si.edu › spotlight › color-smithsonian › yellow
The Color Yellow | Smithsonian Institution
Yellow is a cheerful and uplifting hue, often associated with warmth, happiness, and optimism. Explore art and artifacts from across the Smithsonian featuring this sunny color.
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Smithsonian Libraries and Archives
blog.library.si.edu › blog › 2023 › 09 › 12 › in-search-of-the-perfect-blue
In Search of the Perfect Blue – Smithsonian Libraries and Archives / Unbound
Some illustrations in Catesby’s work are hand-colored using Prussian blue – its iron content recently identified through pigment analysis by conservation scientists at the Smithsonian Museum Conservation Institute – to enhance the colors of the Carolina Parakeet and the Painted Finch, ...